The emergence of technologies has changed our perception of skin. On one hand, we are experiencing distancing and inability to have a full tactile experience on the Internet, along with increasing exposure to skin images. On the other hand, a new approach has developed, suggesting a 'digital synesthesia', where interaction between the system (or interface) and humans is of significant importance.
In response to this ambiguity, ‘On Skin’ consists of two parts, one of which is interactive. It can also be seen as a duality of screen-based and physical elements.I designed a tactile element in the piece, a placeholder for the hand, which in some versions for the exhibition was placed in a black box. Starting from research on Machine Learning and its limitations, I implemented the concept of the Black Box, referencing the idea of hidden and unknown.